Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Fast Drafting to the Finish Line!



May 7, 2018

I’ve been in a bit of a writing slump for a couple of years (due to some crap life threw at my family) and haven’t released anything new (a couple of re-releases, but that’s it). I’ve started and stopped a few books in that time, but keep getting stuck.

With every book I hope I’ll find a process that works for me, but – big sigh here – my process is just a mess and I think I need to learn to accept that. I’m a pantser (I write by the seat of my pants, with no/limited plotting beforehand) who wants to be a plotter, who’s really a pantser who keeps trying to be a plotter. Yes, I’m confused. LOL.

It’s exhausting trying to be something you’re not.

Years ago, I attended an RWA workshop called Fast Draft, by the amazing Candace Havens. She is also a pantser who has written countless books. She says the first draft is the hardest (I’d have to agree) and she can finish the first draft of a novel in 14 days… by writing 20 pages a day.

Considering I can barely write 1-2 pages a day, this number is daunting. But she promises if you can stick with it, by day 3 or so, the magic will take over and you won’t be able to type fast enough to get the story out of your head onto the page.

Havens says the faster you write that first draft, the more your muse will take over, the less your bitchy internal editor will yell at you, and the more creative your story will be.
Sounds promising.

So… because I’m tired of spinning my wheels with this story (and the others I’ve attempted to write), I’m going to give it a shot. She says the average writer will take 3.5 hours to get 20 pages written. And the more you practice, the faster you’ll go. I don’t know if I’ll be able to hit 20 pages. But I’m going to try.

I’ve got nothing to lose. My first drafts are completely sucky whether they take me two years to write or two months. So why not try for two weeks?

The rules are simple:
  • No whining.
  • The only excuse for not writing is if you’re in a coma or dead.
  • Write as fast as you can.
  • No going back to read/edit what you wrote the day before, just keep going.
  • No stopping to research, just make a note to yourself.
  • If you’re more of a plotter, you can write up a synopsis beforehand or scene cards or whatever you need to do to start writing the first draft.
  • No excuses.


The key is challenging myself to write more than I normally do, and to immerse myself in the story world every single day. I want to live, breathe and eat my story.

I’m going to give this a shot. Wish me luck. I’ll update you in a week on how it’s going. If you want to join me or try this yourself, let me know in the comments.

Starting From Scratch--Part I



Part One
Along with some of my Passionate Kisses boxed set sisters, I will be doing #HoNoMo in the month of July. That means HOliday NOvel in a MOnth. In my case, it's a novella not a full-length novel. In order to meet my deadline and not get backed up on my other projects, I need to write the entire first draft in July. I thought you might find it interesting to follow my progress. I will post an update when I have progress.

Speaking of serial killers...this one sits on my desk.
Not much in this world is both more terrifying and exciting than starting a new story from scratch. (Well…serial killers, spiders and clowns are more terrifying to me, but they’re not the point of this post.)

I have a Christmas novella to write in July for a boxed set (anthology) with nine other writers that comes out in October. All I have for it is the premise I’ve come up with: “A divorcing couple pretends to be happily married when they go home for Christmas.” I also know Francesca is the heroine and the title of her story is Christmas in Stilettos. (She was a minor character in Dancing in Stilettos, my novella that releases in late July if the sun, moon and stars align.)

That’s pretty much all I know. I am not a plotter. I am not a pantser (someone who writes by the “seat of her pants” without a plan). My process is somewhere in between and it ain’t pretty. Every time I sit down to write a new book, I think it’ll be easier, especially if I’m “just” writing a novella or short story. But it’s not. Every book is harder than the last one to write. Every new book convinces me that I’ve forgotten how to write and will never, ever, EVER figure it out again.
My messy process.
  
If I was a big drinker, I’d be swigging tequila about now. But I’m not. I am a chocolater—and chocolate does nothing for my creativity and only makes my bum bigger. But it does make me happy.  I’m eating a Linder ball as I type this.

Back to the point of this post… Starting a project from scratch. The first thing I do when starting a new story is jot down everything I know, everything that’s been flitting around my head. In this case, it’s not much. I know the heroine’s husband has been deployed in Afghanistan and they decided before he left to split up. I know they have twin toddlers. I don’t know where they’re going “home” for Christmas or why they have to pretend to be happily married.

In my files, I have a bunch of forms I’ve saved over the years from various plotting and character classes I’ve taken. I also have a bazillion books on plotting and characterization (because reading about writing is WAY easier and much more fun than actually writing the damn book). At this point in the process, I use Story Safari and Discovering Story Magic to start figuring out who my characters are. I can’t start writing until I know their basic GMC (goal, motivation, conflict). The problem for me is that I can’t figure out the characters until I’ve written some of the story. See my dilemma? My process is a mess!
The basket I carry my process in...


But it’s my process and I’ll cry if I want to.

The goal is to get to the point where I feel I must begin to write. Once I “see” that opening scene in my head, I’ll start. I’m not there yet, but I hope to be soon, because my calendar says: July—write draft of Christmas in Stilettos.

Anyway… that’s where I am right now. I spend a lot of time staring into space, thinking about my characters.  A lot of time walking my dog, ignoring my neighbors and thinking about my story.  One of these days—I hope!!!—I’ll be ready to start the actual writing because the clock is ticking.

What’s your process? I will love you forever if it’s messier than mine, because it will make me feel slightly superior.




Q & A with author Christy Hayes

Thanks for being here today, Christy. Would you please share a short bio about yourself?
Thanks for having me! I live with my husband, two tweens, and two dogs in a suburb of Atlanta, Georgia. I’ve been writing for over ten years and have a journalism degree from the University of Georgia. I love college football, cable news, and exercise.

Do you consider yourself a shy and/or introverted person?

Yes!

In what ways has being shy or introverted hindered your writing career?

I wrote in secret for years, querying agents, editors, attending writing conferences. When I decided to indie publish, I had to let the cat out of the bag in a big way. The response has been wonderful, but it has been a challenge overcoming my knee-jerk reaction to hide what I spend all day doing.

In what ways has being shy or introverted helped your writing career?

I think being shy helps me to focus on the work. I’m not shouting from the rooftops about my accomplishments, but trying to put the next manuscript together and focus on the business end of things.

What’s the hardest part of this business for you?

Promotion, bar none! I’m not comfortable passing out business cards to everyone I meet, so I don’t do it. I prefer for someone to read my work and want to read more. Promotion is a necessary evil, but you just have to decide what you are comfortable doing and focus your efforts there.

Tell me about a time that you had to step outside your comfort zone either in your writing career or in your personal life?

When I was trying to get a traditional publishing deal, the biggest step outside my comfort zone was pitching to agents and editors. My nerves were out of control. Once, my friend and I were stranded at a small airport for many hours with an agent after a writer’s conference. After spending the afternoon getting to know the agent as a person, I felt more comfortable pitching to all agents and editors, but never TOTALLY comfortable.

What’s one tip you could share with shy and introverted people that’s helped you?

Sometimes stepping outside your comfort zone is the best thing you can do for yourself. I like to challenge myself—not get too lazy and do the same things over and over. I always look at stepping outside my comfort zone as a good lesson for my kids. If mommy can do this, certainly you can do that.

Would you please share a short blurb of your book and where my readers can buy it?

My latest release is The Sweetheart Hoax.

When urbane architect, Phil Williams, must bring a woman home to quell rumors he's gay, his only choice is the one woman least likely to impress: his dowdy receptionist. Margot Manning has been secretly in love with Phil for years. She's just quit her job and is ready to begin her life anew as a nurse. Phil's outrageous offer is one she can't refuse. As Margot readies to accompany Phil to his hometown, she steels herself for heartbreak. After Margot's makeover and a weekend spent attached at the hip, Phil admits he misjudged his former employee. He's ready to pursue her in earnest, if only her scandalous past didn't stand in their way.

The romantic comedy is available at Amazon, Barnes & Noble, and Smashwords, as well as iBooks, Diesel and Kobo.

Where can my readers find you on the web?

            Website: http://www.christyhayes.com

            Twitter: https://twitter.com/ - !/SeaHayes

            Blog: http://www.womenunplugged.wordpress.com


JOSIE MALONE: Writing in the real world



Please welcome romance author Josie Malone to the blog. Josie's second book with BookStrand, Daddy Spell, just released. Josie will give away a copy of one of her books to one random commenter this weekend.

Here's Josie: Writing for me has always been a case of stepping out of “my comfort zone.” The expectation in my family was that I’d marry during high school or immediately afterwards. Instead, I opted for a life of adventure, not one that I saw as “quiet desperation.” Or as Robert Frost wrote, “…I took the road less traveled by and that has made all the difference…”

I am a writer. I have always been a story-teller. It’s a family tradition. I remember my grandmother as the queen of pithy comments who served putdowns at her Sunday dinners, along with her pot roast. Grandma never swore. It wasn’t ladylike, but insulting someone’s intelligence, morality, behavior, manners and children or mate was an art form. Grandma ran the Pine Tree Tavern below First Avenue in downtown Seattle, and kept a “cuss jar” for her clientele. Funds collected from the foul language paid for the annual Thanksgiving dinner and Christmas party at the bar, while the leftover money went to Children’s Hospital in Seattle.

I started writing down Grandma’s stories as a young teen although I knew nothing about the techniques or mechanics of what would become my passion. Most listeners, my parents, my aunts, uncles, cousins squirmed at her turn of a phrase. I always admired Grandma’s use of language. When I graduated from high school, I was determined to be a writer. My creative writing teacher had told me I had talent and suggested college. I came from a poor, single-parent household, and higher education wasn’t possible. No one in our extended family had ever attended college. The girls got married and the boys went to work.

I was the first girl in the family to graduate from high school and the last thing I wanted was a husband. I went to work for a temporary office service and washed dishes at night in a restaurant. I wasn’t able to fulfill my dream of joining the Army because I was needed at home to raise my younger sisters. I enlisted in the U.S. Army Reserve instead. When the wolf was at the door with a litter of pups, as my grandfather used to say, or when times were even harder, the civilian liaison of my Army Reserve unit would put me “on orders.” He didn’t care what I typed as long as I looked busy and didn’t allow anyone at his desk when he was out playing golf with the General who commanded Fort Lawton. So, I began my first novel.


My orders ran out about the time I finished the novel, so I bundled up my baby and shipped it off to Harlequin Books in Canada. I didn’t know anything about the publishing business, so I mailed the only copy I had. In addition to this no-no, I also didn’t have a clue about setting up a manuscript. I finished each chapter and began the next one on the same page, a fatal flaw. I also used up every scrap of paper and didn’t worry about such things as margins, or double spacing the lines of text.

Worst of all, while the man my heroine thought she loved was dashing, romantic and charming – he was also unfaithful, dishonest and nasty, a little too much like the real life I knew about. She ended up with her nice, quiet, dull best friend, Toby – the kind of guy a woman could spend a lifetime loving, but he wasn’t a traditional romance hero. Even so, Toby survived the trip to Canada and Harlequin. Eventually, I received a letter. Harlequin liked my book. However, all the purchases at the time were made in England, so my book was going somewhere I HAD NEVER BEEN, LONDON!

It took a few more months for the book to finally be rejected, but by then I was hard at work on my next romance novel. At eighteen, I had almost made it and I was determined to become a successful novelist. College still wasn’t an option. I began to attend talks by published authors. Many offered classes in writing for nominal fees. I saved every extra cent to pay for these courses, usually by riding the bus and not driving the car to work.


I also attended conferences and workshops.I started to learn the mechanics behind the mysteries of creating saleable work. I joined Romance Writers of America. I also submitted my work to editors and literary agents and began to collect rejection letters.


Prior to attending Washington State University to attain my BA degrees in English and History, I sold two novels. I’d sent in a query – a chapter and an outline of a proposed novel. While the editor turned that one down as well as a story about horses, she suggested I call her. I did and we wound up discussing what would become my first book for her company, Daddy, Please Tell Me What’s Wrong. It sold out the initial print run of 50,000 copies. The first fan letter I received after the publication of this YA novel that dealt with Post-Traumatic Stress Disorder showed me once again how great an impression language makes. The young girl wrote, “I really liked your book….her dad killed himself….so did mine. Have a nice day.”

I love to watch a story unfold on the pages. Nothing compares with the feeling of success when I read my words in a newspaper, magazine or between the covers of a paperback. It’s the writing that matters most of all. I agree with other writers who say if they never published again, it would not matter – only the writing does.


However, this past spring, BookStrand bought one of my romances, a historical about a woman who masquerades as a man in the old West. Then, this summer they bought a second book, a contemporary about a divorced mom who runs a pony farm and falls in love with her new horseshoer. The teenage dream I had of being a romance novelist is coming true, even if Grandma never saw it, but she always believed in me.


Grandma’s love of language was the legacy she passed on to me. As she told me more than once, “Your words have power. Use it wisely. Don’t shout when a whisper will do.” So, when I chose a pen name for my romances, I opted for part of hers as a tribute. Josie Malone.


When people ask what I do, I say, “I’m a writer. Telling stories is a family tradition. I just write down mine.”

About Josie: As a child, I loved to dream away the days in an old cherry tree on my family’s pony farm. In my imagination, the tree became a beautiful Arabian stallion, a medieval castle and even a pirate ship. I got in trouble for making my little sisters walk the plank, but hey, they never broke any bones. On rainy days, I headed for my fort in the hayloft. While the rain thudded on the cedar shingled roof, I read books, eventually trading Carolyn Keene for Georgette Heyer.

Today, I live on the family ranch in the Cascade foothills of Washington state in what was once a summer vacation cabin. I usually write at night after a long day on the ranch. Some days are longer and harder than others, so I’m happy when I manage five days of writing in a week. As a substitute school teacher, I love the school breaks but I’m just as busy, since there are 37 horses to look after, along with other assorted animals.

You can learn more about Josie on her website.

GOING BEYOND THE COMFORT ZONE

Please help me welcome multi-published romantic suspense and mystery author Chelle Cordero to the blog.

Here's Chelle: I am really a very private person. I normally choose not to discuss many of the ups and downs of life outside of my immediate circle of friends (and even then there is a lot I won’t share). Yet I allow my characters to feel the full range of emotions. Sometimes I have to lend a character some of my emotions… and I kind of feel exposed.

The stories I write have characters who have experienced tragic losses, trauma, crushed dreams, betrayal, abandonment and fear. Deanna is kidnapped, Tom mourns a lost love, Caitlyn lost both parents at a young age, Jake is desperate when a maniac threatens to kill the woman he loves, Layne hides from an abusive husband, Lon is accused of a heinous crime – and each character cries, feels fear, anger, despair and all of those “rip your heart out feelings”.

Although I may add a random memory to one of my character’s lives I often share very little with them, but oh how I share when it comes to tears. In one scene I wrote my character went to speak to his dead fiancé about falling in love again and he cried, and I cried alongside him (sigh, that was hard for me to admit). In another book where one of my characters sacrificed her life for the man she loved and then was accused by the same man for betraying him, she felt despair – and I forced myself to remember all of the frustrations I ever felt for having my well intentioned actions misunderstood. I was the one who lost sleep after researching serial killers and horror for a murder mystery.

I love it when I hear a reader say how they “laughed and cried” or sat “on the edge of their seat” – yet I feel exposed knowing how many of the private motions revealed in my books are actually MY private emotions. When I write I must force myself to go beyond my comfort zone and share these feelings.

Funny thing is, no one is making me share these things – but writing is a need that is tantamount to breathing, and breathing is actually quite comfortable.

Chelle Cordero is a multi-published romantic-suspense and mystery author with Vanilla Heart Publishing and short stories in five different anthologies through VHP and Mandimam Press. She also freelances as a journalist for several local and national newspapers and magazines. Chelle also pens the weekly Amazon Kindle blog ‘Living, Breathing, Writing” available by subscription. Ms. Cordero lives in New York’s lower Hudson Valley and serves her community by volunteering as an EMT with her local ambulance corps. Chelle’s web-site can be found at http://chellecordero.com/

PR Options for the Shy Author





I'm absolutely thrilled to introduce today's guest blogger: Marcia James
Marcia James writes hot, humorous romances and finaled in eleven RWA contests before selling her first comic romantic suspense, At Her Command. Her short story, "Rescue Me", appeared in Tails of Love, a Berkley benefit anthology, and her latest story, Love Unleashed, was released in February 2010. In her eclectic career, she has shot submarine training videos, organized celebrity-filled nonprofit events and had her wedding covered by People Magazine. An advertising copywriter and marketing consultant, Marcia presents online and in-person author promotion workshops.


by Marcia James

There's never been more pressure on authors to shoulder the burden of promotion, and no one can possibly take advantage of every available PR opportunity. Even a small amount of daily or weekly promotion cuts into valuable writing time. That's why authors must decide carefully which PR options are right for them based on specific variables, such as:

* Budget
* Time constraints
* Author knowledge & skills
* Book distribution & format

* Book genre/subgenre & niche market elements
* Author personality

With so many promotional opportunities, why not choose those that go well with your personality? If you're an introvert, don't add stress to your life by attempting to do PR better suited to extroverts, such as: presenting workshops, doing book readings, participating on conference panels, holding single-author booksignings, power-schmoozing at conventions, being interviewed on broadcast media, doing live chats, etc.

Instead, introverted authors might try some of these PR options:

* Participating on a reader forum/message board, informally posting on topics as time allows.

Many shy writers find it easier to converse with readers online. If you join a publisher's reader email loop -- or a reader forum, such as the ones on the RT Book Reviews' Web site -- you'll have the chance to chat up people in a non-scary situation.

* Participating on writers' email lists, sharing craft and business information as time allows.

Fellow writers are also readers, and you can develop a following by participating on writing email loops, such as those of Romance Writers of America (RWA) chapters. Sharing your knowledge and commiserating on your author-friends' ups-and-downs is an easy form of networking.

* Cross-promoting with other authors as time allows.

You can promote other authors -- and they can promote you -- in a number of ways: linking to each other's Web sites, guest-blogging on each other's blogs (Thanks, Rebecca!), giving quotes to use in articles or workshops, etc. One way I cross-promote is through my James Gang interviews . Each month I interview an author or publishing insider with some form of "James" in his/her name. The interviewees promote the interviews to their readers, writing loops, and friends, and I promote the interviews to mine.

Another example of my cross-promotion efforts is my April 5th - 18th "
Guilt-Free Author Promotion" online workshop. I approached PR-savvy authors and publishing insiders and asked if they would like to write a "guest lecture" for the workshop. Over a dozen did, and I include their bios and latest release information with the lectures, as well as promoting them in all workshop announcements.

* Co-promoting with other authors to create a multi-author Web site, blog or MySpace page -- all of which would require a regular commitment of time.

Joining with other authors to share the cost and time of promotion is a great idea. One way to do that is to create a multi-author site or blog. For example, I'm part of the
Ohio Romance Authors MySpace page. Simpler forms of co-promotion include sharing the cost of a joint print ad or joint promotional materials, such as brochures.

* Writing articles on the craft and business of publishing for chapter newsletters, RWA's Romance Writers Report, RT Book Reviews, online e-zines, etc. -- which you can do as time allows.

If you enjoy working alone, you can write articles, which will promote your pen name and should include a brief bio with your Web site URL at the bottom. I wrote a series of author promotion articles for the RWA Kiss of Death chapter newsletter, and I now have those articles on my
Web site . In addition, you can look for elements with your book(s) that lend themselves to niche marketing. For example, if your book has a quilting heroine, you could write an article for a quilting magazine and mention your book.

* Building and maintaining your Web site and social media sites (e.g. Facebook), if you're technologically skilled and have the time to do it.

An author's Web site is the most important tool in his/her personal "PR Toolbox". If you can design and maintain a site -- including social media sites -- that's a great skill to have. And if you have the knowledge and talent to design bookmarks, banners, postcards, brochures, excerpt booklets, etc., you have a leg up on many other authors. Consider whether a skill you have from your day job or past experiences could translate into a helpful promotional skill.

* Sending PR materials to conferences, bookstores and readers' groups and press releases to the media, as time allows.

Once you have logoed/branded PR materials, you can make sure they get into the goody bags at RWA conferences, etc. You can also write press releases and mail out press kits, if you're willing to be interviewed. (Some online publications/blogs will interview you by email, so it's not as stress-producing as a live interview).

* Paying a romance author PR site, like AuthorIsland or Writerspace, to handle your newsletter mailings, contests, and other promotion, which frees up your time to write.

Not every author promotion site costs an arm and a leg. Many have an à la carte menu of services, as well as different plans, such as promotion for one month, six months, or a year. This option will affect your budget but free up your time.

That's just a sampling of PR options for the shy writer. Those wanting to step outside of their comfort zones can try opportunities that attract extroverts, such as the power-schmoozing I love. But give yourself a break and don't make promotion even more of a pain than it can be. The next time you're faced with intimidating promotional choices, analyze which ones you'd enjoy the most and don't feel guilty about those you avoid. Match your personality to your PR push.

The best way to do that is to learn what PR options are available. I offer my free 280+ page WORD file on author promotion to any writer who requests it. Just email me through the “Contact Me” page on my Web site (
http://www.marciajames.net/), and I'll attach the file to my response.

I'd love to hear about your PR challenges, triumphs, questions, and helpful hints. I'm giving away a free e-book version of my comic romantic suspense, At Her Command, to a randomly chosen commenter on this guest blog. Thanks again, Rebecca, for hosting me on your blog!




Marcia is giving away a copy of her first book AT HER COMMAND (in ebook format) to a randomly chosen commenter. Good luck!

Family Relationships Blog Day

"Today I'm participating in a mass blogging! WOW! Women On Writing has gathered a group of blogging buddies to write about family relationships. Why family relationships? We're celebrating the release of Therese Walsh's debut novel today. The Last Will of Moira Leahy, (Random House, October 13, 2009) is about a mysterious journey that helps a woman learn more about herself and her twin, whom she lost when they were teenagers. Visit The Muffin (http://www.wow-womenonwriting.com/blog.html) to read what Therese has to say about family relationships and view the list of all my blogging buddies. And make sure you visit Therese's website (http://www.theresewalsh.com/) to find out more about the author."

I decided to participate in this group blog celebration because I've heard a lot of buzz about Therese's new book, have heard she's a delightful person, and because I love her story of perseverence.

I had many ideas running around my head to write about today, but am choosing to write about my son, Trevor, because today is his birthday. He's 14.

Trevor is first and foremost a skater, as in skate boarder. He took up skating  a few years ago, probably around the same age I was when I decided to be an author when I grew up. Day in and day out, he's skating. If it's raining, he skates in the garage. If he can get a ride, he skates at one of the local outdoor skateparks. And if I or my husband can swing it with our work schedules, he'll skate at his favorite indoor skatepark, about an hour away in Seattle. The little dude probably clocks at least 4 hours a day. Every day. Including weekends. Even when he's sick. He goes through boards every four weeks. Shoes every six.

You might say he's obsessed. That's what some of his friends say. He says he's just focused. He has a goal--he wants to be a pro skater. He doesn't ever want to have a "stupid, boring job" (like his parents, I suppose :), he wants to skate for a living. His short-term goal is to get sponsored by a couple of local shops/parks. He knows exactly where he's going and what it'll take to get there. So, yeah. He might be a bit obsessed, but maybe that's a good thing. Skating is his passion. Nothing gets in the way of that. Even homework (but did I mention he's a mostly straight-A student?).

I think that we, as writers, can learn a lesson here. Is writing your passion? If not, maybe you shouldn't be doing it. This industry is just too damn hard if this isn't your life's passion. If it IS your passion, are you doing everything you can to make your dream a reality? Are you writing every single day, rain or shine, in sickness and in health? Do you have long term and short term goals? If not, why not?

Trevor doesn't get up each morning and try to figure out when he's going to skate. He just does it. Every free moment. Everything else gets squeezed around skating. We should do the same with our writing. Fit it in. Whenever and wherever we can. Just do it.

I'm really proud of my little dude. I honestly believe he's going to achieve all his goals...and then some. Because he's not waiting for his dreams to come to him, he's going after them. I think we should do the same.

LATER THIS WEEK: Check back to read what award-winning writer and new Kensington author Kristina McMorris has to say about interviewing for us shy, introverted types.

Pitching With Confidence



Please welcome our guest this week, Jeannie Lin. Not only did she just win the 2009 Golden Heart® award for historical romance, she also sold to Harlequin Mills & Boon. She writes sweeping historical romances set in Tang Dynasty China. After finishing two manuscripts, she queried and pitched like crazy for nearly a year before signing with an agent. Her winning and selling manuscript, Butterfly Swords, is her second manuscript. Learn more about her at http://www.jeannielin.com.



When I’m writing something like this, I sound so confident like I have no fear and this is all so easy. But that’s not me at all! I’m the shy girl, the girl that people come up to and say, “Why are you so quiet?” as if that will help me come out of my shell. My hands shake every time I’ve pitched. My toes feel numb and my stomach goes all swirly.


How do I get through it then? I remember that I want this bad! I remember that I know my story like the back of my hand and that it deserves a chance. I remember that confidence can be faked.


I also remember these three things:


1. Agents and editors will usually request.


2. Don’t think of it as a pitch. Think of it as a job interview.


3. The worst thing you can do when pitching is to try to tell your story (according to Michael Hague)


Agents and Editors Will Usually Request If they represent or publish what you write, they’ll usually ask for at least a partial. Some people are disappointed when they find this out because it means they shouldn’t be overjoyed by a request, but I think of it as a huge relief. This is your foot in the door. You can wow them with your writing, which is what you’d need to do anyway, right?


Just by the fact that you’re pitching indicates a certain level of seriousness about publishing that a query letter can’t necessarily convey. Your submission will now have the magical words “Requested” on it. But your job is not done. You still want to make a good impression so that when the submission arrives, it’s the one the agent/editor opens first and WANTS to fall in love with. Which leads me to my second point.


Think of the Pitch as a Job Interview  In a job interview, you have two goals. You want to make a good impression and show that you’re someone who would be great to work with, but you also want to find out whether you want the job. So instead of you quivering before that all powerful agent, think of it as a chance for them to get to know you and for you to find out about them as well.


Almost every pitch I’ve done has been a conversation. The agent/editor will ask questions about your projects, but they’re also very open to answering questions and giving suggestions. In the end, the actual book I was pitching was definitely the centerpoint of the conversation, but it wasn’t the only point of pitching.


The Worst Thing You Can Do Is Tell Your Story Michael Hague said that in Selling Your Story in 60 Seconds and it’s a good motto to remember.


Before I’d ever pitched, I saw people writing long summaries that they would memorize. I was scared to death! After researching and doing a few pitches myself, I realized that the agent doesn’t want a summary of your entire story crammed into five minutes. They want to know the hook and the premise. They want to get enough flavor to pique their interest. After that, it’s the writing that will sell the book.


So if you’re not supposed to tell your story, what do you say? Here are some guidelines that have helped me.


Putting The Pitch Together  I’m going to stick to the pitch appointment as opposed to the art of the elevator pitch or what I prefer to call the cocktail pitch.


First, do not start telling your story from start to finish. Do not start explaining who your characters are and why they’re there and how you came up with the idea. Of course, you may in the course of the pitch be asked to expand and that’s fine, but from the moment you open your mouth, you want to boil down your pitch to the marketable elements. You want to immediately set up a picture in the editor or agent’s head of where your story fits on the shelf and what’s the hook that makes it marketable.


1. Be very specific about the details up front: genre, word count, title.
Most importantly, do not be wishy-washy on genre! You may think that your book doesn’t quite fit into a specific category, but do not lead with that uncertainty. It makes the editor or agent uncertain. Remember you’re not trying to explain exactly what your story is with all of its nuances. You’re trying to position it in the market. Look the editor in the eye and say something like, “It’s a romantic suspense with paranormal elements” instead of “Well, it’s a mystery, but it’s also got vampires and werewolves even though it’s not focused on the paranormal.”

Here was my pitch for my unusual premise:


“Butterfly Swords is a historical romance set in the Tang Dynasty. It also has an alternative history twist that brings medieval warriors from Europe into 8th century China.”

 2. Marketable elements
Common plots or premises - These are the elements that are easy to recognize. They can be common or popular elements within a sub-genre.


Examples: secret baby stories, arranged marriages, vampires, shifters, Navy Seals, private investigators, etc.


High concept - This is a trope or a description that immediately describes your story in few words. Often this is a comparison to a classic and timeless story, but that’s not always necessary to be high concept. People have used X meets Y such as “Buffy the Vampire slayer meets Regency England”, but that’s not always necessary either.


Examples: An ordinary boy finds out he’s a wizard. A Romeo and Juliet story between two rival gangs. The Wizard of Oz told from the perspective of the Wicked Witch.
Comparable Titles - You may not want to risk comparing yourself, but you should know who else does something similar to what you write. It shows you’ve done your homework and they may end up asking to get a better idea of the project you’re describing.

 3. The pitch - Hero, Heroine and Conflict
 There are many different formulas for pitching and they all can work. I find Hero, Heroine and Conflict is a good one for romance. Jessica Faust points out that within that framework, the conflict has to be something besides the romance, because the romance is a given. Also within the initial pitch, you should have “The Hook”. (Ah, the magical word. More later.)


a. Who’s the heroine?


b. Who’s the hero?


c. What’s the inciting incident the kick starts the story and brings them together?


d. What’s the conflict?

 
4. Hook
The hook is what makes your story unique. Having a high concept hook that is easy to visualize can help, but don’t feel that it’s necessary. You want to highlight what makes your story different from everything else out there. Really take the time to identify this and push it in your pitch.


Sample Pitch--Here’s what my pitch sort of sounds like. This is a recreation of my pitch because I’ve never had it written down and it sounds rough on purpose.


Butterfly Swords is a 90,000 word historical romance set in the Tang Dynasty. It has an alternative history twist which brings medieval swordsmen from Europe across the Silk Road into 8th century China.


Ai Li is a princess who's running from an arranged marriage armed with her butterfly swords. She's discovered her husband-to-be is plotting against the throne. Ryam is a western swordsman who rushes into a gang of bandits to save her when she gets attacked. As the two of them try to return to the palace, of course they start falling for each other. But she's a princess and he's a barbarian. So they have to challenge a powerful warlord as well as the Emperor in order to be together.


I deliver it very conversationally. The sentences are very short, not run on. I don't like to memorize or drop into what I call blurb-speak because I know I get very nervous and I'll forget. I know it's not flashy, but it's what I can deliver while shaking. I rarely get to the end of this pitch before the agent/editor interrupts for questions or (hopefully) to request!


I found that if you're missing something the agent really wants to know, they'll simply ask about it. You don't need to make the pitch super detailed. It is important to have an end to your pitch planned so you don't just trail off and there's an awkward silence when they don't know if you're finished or not.


Though I’ve never said these out loud, here were the marketable elements I was trying to get out in the pitch:


Stranger in a strange land


Culture clash - hero and heroine from two different worlds


Swordfights and action


Exotic setting


High concept hook: East meets West


Jeannie’s Quick and Dirty Pitch Essentials:


1. Dress professionally. When you look around a pitch room, you can almost tell who’s in it to win it. You want the agents to think the same thing when they see you after a long day of taking pitches.

 
2. Show up early to the pitch room to check in and get comfortable. If you’ve never done it before, you may pitch in a small meeting room or a giant conference hall. The pitch session moderators will check you in and line you up outside before leading you into the room.


3. Don’t read your pitch if you can help it. It’s okay to be nervous, it’s not okay to be robotic and monotone which can happen when people read or memorize. Remember you want to sound personable and dynamic. People tend to write long flowery pitches, but the agent/editor will glaze over the details if you ramble on. Speak in short succinct sentences that you can remember. Don’t lose the details in complicated verbiage. Of course, if you’re too nervous and need to read, please do! No one wants anyone to be uncomfortable during the pitch session.


4. Finish early to leave time for conversation. Your pitch should really be around 1-2 minutes long. See, a lot easier than planning to speak for five or ten minutes, right?


5. Have at least one question up your sleeve to ask them. This is where it helps if you’ve looked up some recent blog they’ve done or done your homework on their authors. Some fallback questions I’ve used: Ask about their agency/publishing line, clients, history, etc. Where do they see your book fitting in the market? How would they suggest you position your book?


6. Be ready to speak about another project. Agents will commonly ask what else you’re working on, so have that backup ready to go.


7. When you get a request, get the details! Find out if they want it snail mail or e-mail, how many pages, and whether they want a synopsis. Do they want you to send to a special address or put something particular in the subject or on the envelope? Write down these details because you’ll forget and then feel like a ditz later. Trust me, I speak from experience.


8. Finally, before you pitch to an agent or editor, say it out loud to somebody to iron out the jitters. Remember, don’t be so concerned about memorizing it word for word. Just practice in front of supportive people so you can be aware of what sort of questions will come up. I was blessed to be invited to a practice session before I pitched at Nationals for the very first time. At the pitching party, I was able to learn from more experienced writers about what to focus on when pitching. I suppose that’s one of the reasons I wanted to give back by doing this post.


I know I couldn’t cover it all so I’ll be hanging around to answer questions. And if you’d like to throw your pitch out there, maybe we can all help out.


Enjoy the conference and good luck pitching!


For the list of my pitching resources and links, visit my blog and click on the “Coffee Talk: Pitching” tab. Blog: http://www.jeannielin.com/blog

While we're talking conferences...

I just read a very interesting blog--5 Steps to Better Conference Networking--if you want to check it out. It's written by another shy writer.

http://prairiechickswriteromance.blogspot.com/2009/10/5-steps-to-better-conference-networking.html

Don't forget to check back tomorrow (Wednesday, Oct 7) to learn how to pitch your story with confidence.

How To Use Body Language to Appear More Confident


Please help me welcome my guest blogger, Julia Hunter. Julia is a public speaker throughout the nation and is a 20-year veteran law enforcement officer. She’s a pre-published fiction writer and teaches workshops on gadgets for busy writers, law enforcement and body language. Her website is at http://www.julia-hunter.com/.



by Julia Hunter

Do you think because you’re an introvert, it’s hard for you to succeed in business and social situations? Do you want to appear more accessible and out-going?


Most people who know me assume I’m an extrovert; in fact, they would swear I’m an extrovert. However, I’ll share a secret -- I score off the chart as an introvert. So how do I manage as a public speaker? I prepare, listen, and watch for body language cues.


Despite the label you identify with, the bottom line is that you are who you are. You know how you feel when you’re in a group, or when you’re giving a presentation, or when pitching your story – so my suggestion is to focus on where you are at and where you want to be.


Nothing will substitute for preparation, but body language can help with the transition from “about to vomit” to confident interactions.


Public Speaking: Book Signings, Workshop Presenter, Media Interviews


DO: Pick your clothes carefully. I tend to jingle change in my pocket and put my hands in the pockets. The former gives off a signal that I’m nervous and the latter gives a signal that I don’t want to be there. Although both may be true, I have a job to do so just take away the temptation and wear something with no pockets. Most of my suit jackets still have the pockets stitched up. Extra tip: If there is a possibility of television press coverage, wear any color shirt except white and choose solid colors vs. patterns


DON’T: Point when you talk to people. A study comparing audiences of the same speech delivered with different body language, found that 68% of audience members who were pointed at didn’t hear the message and left with a negative opinion of the speaker.


DO: Talk with open palms – it conveys sincerity and trust


DO: Locate receptive/engaged people seated in the left, right and center of the audience and rotate making eye contact with them. It will appear you are looking at everyone in the audience but won’t seem so intimidating for you.


Social Settings: Mixers, Parties, Conferences


DO: Stand with feet no wider than your shoulders (less for women), and keep your arms in an open position. Hold a drink if you need a crutch; it’s small enough to not appear as a barrier.


DON’T: Stand apart from the crowd or cross your legs and/or arms – you will give off signals that you are unapproachable.


DO: Smile. It’s contagious. It doesn’t have to be an animated toothy smile – just be pleasant.


DO: Walk slowly to mingle, look among the clusters of people for a friend or someone who makes friendly eye contact.


Pitches/Interviews


DO: Control what you can about the agent/editor’s body position. Offer to shake their hand when you approach. Hand them a business card as you sit down. This will open their upper body at least momentarily, which makes them more receptive to receiving information.


DON’T: Play with your hair when pitching as it depicts insecurity and shyness.


DO: Mirror their body language subtly. If they itch their face, then touch your face shortly after. If they take a drink then you might choose to touch your glass, pick it up or drink yourself. Mirroring is way to build rapport at the subconscious level. Watch (loving) couples in restaurants to see mirroring in action.


DO: Keep both feet on the floor and sit with good posture, leaning a bit forward if possible. If the agent/editor mirrors this position then you have an interested audience.


These body language tips will certainly get you started in the right direction. If you have an interest to use body language more extensively and efficiently, you will need to identify a person’s normal movements and read their gestures in clusters.


Do you have any body language suggestions that work for you? Do you have a situation/scenario that you’d like help with? Leave a comment and let’s discuss!


Best Wishes,


Julia





Next week's guest: 2008 Golden Heart winner and now NAL/Signet Eclipse author, Annette McCleave.